Parenting is work for the young. I learned that lesson once again as I followed after Edward, a stick-thin but incredibly energetic seven year old, on the beach and in the surf during a three-day holiday this week on Ko Samed in the Gulf of Thailand. Edward is fearless and, protected only by an inflatable tube, he ventured into deep waters and occasionally too close to where speedboats back up to load and unload travelers. That he speaks very little English beyond "Hello" and "Good morning" and my Thai is equally incomplete made control and discipline difficult.
Friday, March 26, 2010
Following Edward
Parenting is work for the young. I learned that lesson once again as I followed after Edward, a stick-thin but incredibly energetic seven year old, on the beach and in the surf during a three-day holiday this week on Ko Samed in the Gulf of Thailand. Edward is fearless and, protected only by an inflatable tube, he ventured into deep waters and occasionally too close to where speedboats back up to load and unload travelers. That he speaks very little English beyond "Hello" and "Good morning" and my Thai is equally incomplete made control and discipline difficult.
Tuesday, March 16, 2010
Requiem for the Reds
On Sunday morning, Nan and I crossed Pinklao Bridge to visit the site of the demonstration along Ratchadamnoen, the broad divided boulevard that passes the Democracy Monument which was built to commemorate the establishment of a constitutional monarchy in 1932 (the constitution that keeps getting rewritten). Large public demonstrations in 1973, 1976 and 1992 took place around that monument, each interrupted by violence that has not so far has (thankfully) taken place here in 2010. Red shirts waving flags and flashing the V for victory sign at photographers streamed into the street by us on trucks, motorbikes and tuk tuks while demonstrators on the sidelines cheered them on. It was inspiring. When an old woman accompanied by her grandson greeted me with a handshake and thanked me for coming, I was reduced to tears.
I last visited a rally of red shirts in April a year ago when an estimated 100,000 gathered around Government House, several days before street violence during Songkran besmirched their anti-government message. Then, as on Sunday, the red shirts were friendly and festive, eating, dancing to music and the speakers onstage, and waving their foot-clappers and bamboo noise-makers; all seemed very happy to see a farang in their midst. But at 10 am on Sunday the crowds on Ratchadamnoen seemed thinner than before, perhaps because people were hiding in the shade from the blistering heat of the sun. Even though the event was not officially to begin until noon and people were still arriving, it was apparent to me that the goal of a million, or even half that, would probably not be reached.
Although hotel rooms are mostly empty now because tourists are notoriously nervous about political strife, the Thai stock market is happy and has been rising for the last four trading sessions. This seems to illustrate Naomi Klein's thesis that global capitalism loves disasters, even potential ones. For Bangkok residents the protests brought welcome relief to weekend traffic. Yesterday was like a holiday, with the streets in my neighborhood relatively empty. Four bored soldiers in riot gear stood duty on the overpass to Tesco Lotus nearby, and a small group of troops sheltered in the shade of the flyover at the Charoensanitwong intersection down the street from my apartment building. On Sunday night Nan and I went to see "Green Zone," an thrilling Iraqi chase movie based on real politics, while outside the theater and across the river the politics of color symbolism continued. This morning the UDD online TV channel is showing red shirt leaders donating blood for the political theater they've planned later this afternoon,. This was followed by a stage full of orange-clad monks giving the donors a blessing, and some of them could be seen giving blood (monks involved in politics bothers Nan very much). Soon the rural participants will need to return to their farms to tend their crops, and the stall keepers, taxi and motorbike drivers will need to resume work. At times the UDD spokespersons speak of a seven-day demonstration, but it's hard to know at this point when they will bring it to an end, and what they will tell their disappointed followers.In the immortal words of Bob Dylan (and seconded by Jimi Hendrix): "There must be some kind of way out of here."
Saturday, March 13, 2010
Pippi Longstocking Grows Up
I'm a late convert to the thrilling trilogy of mysteries written by the late Swedish writer Stieg Larsson, but I'm no less passionate about his characters, the remarkable tattooed and pierced computer hacker Lisbeth Salander and the intrepid left-wing journalist Mikael Blomkvist. Without reading the Millennium series of novels, who would have imagined that Sweden was filled with sex traffickers and rapists, nasty capitalists, drug-dealing motorcycle gangs, rogue government security agents, unrepentant Nazis, and turncoat Communist spies? After a slow start, I gathered speed and fairly rushed through the nearly 2,000 pages, completely caught up in Larsson's fascinating labyrinthine plot twists. By the end I felt a deep sense of disappointment that the Nordic Nick and Nora's adventures were now over.
Larsson's biography and the incredible world-wide popularity of the books he wrote for fun in his spare time (over 25 million copies sold) make a story almost as fascinating as the three that were published only after his death at the age of 50 in 2004 of a heart attack. He was a crusading political journalist who began his career as an activist with a Trotskyist Communist party. As editor of the journal Expo and correspondent for the anti-fascist Searchlight, he documented Sweden's extreme right-ring and racist organizations, forcing him to live in hiding for years because of death threats from his targets. According to the London Guardian, "He raged against exploitation, cruelty, the unchallenged power of institutions and individuals against the meek and the poor. He understood the brutal non-ethics of global capital. It all shows up in the novels." Larsson was a rare example of a male feminist whose principal character Lisbeth Salander is an even more unusual example of a popular feminist heroine, who doesn't hate men, "just men who hate women" (the Swedish title of the trilogy's first novel, translated into English as The Girl with the Dragon Tattoo).When he couldn't sleep, Larsson wrote fiction. He loved crime and sci-fi, edited several fanzines, and was president of the largest Swedish science fiction fan club. He was fond of American and British detective stories and in his trilogy mentioned the authors Sarah Paretsky, Agatha Christie, Val McDermid, and Dorothy Sayers, among others, by name. Pippi Longstocking, the pig-tailed popular heroine created Sweden's Astrid Lindgren, was the model he used for Lisbeth Salander, Larsson admitted, and he conceived her as a grown up Pippi.
Eva Gabrielsson was Larsson's partner of over 30 years. They met in the 1970's at an anti-Vietnam War rally in the north Sweden town where they grew up. Even then, she said, "he defined himself as a feminist. This was unusual. He saw the situation of women at an early age and never stopped seeing it." While his view of the world can "mainly be understood from a perspective of women's rights...his concern was all violence against people who are branded 'wrong' at some 'wrong' point in time. Sooner or later we might all be affected since we all belong to some minority." She said his grandfather who raised him had been imprisoned during the Second World War for his anti-Nazi views, and when he was 14 he saw a girl gang-raped and couldn't stop it. That he also didn't report it filled him with guilt for life. They never married because, Gabrielsson explained, public records are easily available in Sweden, and it would have made Larsson more traceable by his enemies, creating danger for both of them.
A workaholic who smoked three packs of cigarettes a day, Larsson suffered a heart attack after climbing seven flights of stairs when his office elevator broke down. Because Sweden has no provision for common law marriage, when he died without a witnessed will (a 1977 document left everything to the Socialist Party), the rapidly escalating wealth due to book sales has gone solely to his family, a father and brother. The resulting feud over the writer's unexpected fortune is seen by many as a tragic injustice that would have upset the feminist author deeply. According to Gabrielsson, he was not close to either of his relatives. "I think they're motivated by greed and envy. They envy my closeness to Stieg. He really disliked his father." She has had a career as an architectural historian and said their work and shared beliefs, as well as Larsson's writing, took the place of children. The Larsson family offered her Stieg’s half of their one bedroom apartment in exchange for his laptop, which contains his notes for a fourth book. She turned them down. They sold the film rights for a fortune and movies have been released of all three books in Sweden (the first opens in London this week). The estate is now valued at over $30 million.
"Stieg would be horrified," she says, at the way her rights have been denied. "We were constantly collaborating and it is my brainchild as well. The only way I can explain the seriousness of it is that it is like someone selling your children, placing them in any old whorehouse for the rest of their lives." As the London Sunday Times critic Joan Smith put it in her review, "the three novels taken together are a cry of rage against the sexual abuse of women and girls." Gabrielsson objected to the change of titles in the English editions of the books and believes the translation is "badly written." A website, SupportEva.com, is raising donations for her campaign to change the Swedish inheritance law so that common law spouses are recognized.Peruvian author Mario Vargas Llosa explained the Millennium trilogy's success by saying that Larsson had produced one of the great stories of "just avengers" in popular literature. He had read the trilogy with "the same happiness and feverish excitement" with which he had read Dumas, Dickens and Hugo as a boy, "wondering as I turned each page, 'And now what's going to happen next?'" Many of the reviews I've read of the Millennium trilogy (named after Blomkvist's radical journal) are not very complimentary, complaining that Larsson's characters are unbelievable and the plots filled with unusual coincidences. I initially had difficultly imagining a James Bond world in placid Scandinavia. But notes in the third book reminded me of recent political assassinations there. Sweden's Prime Minister Olof Palme was gunned down in the street in 1986 and foreign minister Anna Lindh was stabbed to death in a Stockholm department store in 2003. The first crime is still unsolved, and the verdict in the second case has by no means satisfied everybody.
Jerry loaned me his copy of The Girl with the Dragon Tattoo months ago and I put it down after a few dozen pages. Larsson is scrupulous about detail and the book is rife with Swedish names and geographical information that made little sense to me. The first mystery takes a while to get going and I was impatient. With nothing else to read after Christmas, I took it out of a pile of unfinished books and started again. At some point I found I couldn't put it down. At the end I quickly searched the bookstores for the sequel, an even more absorbing read than the first. I did not realize that Larsson's trilogy had become a publishing sensation until after finishing The Girl Who Played with Fire. Both books were available here in Bangkok in American and British editions. But I couldn't find the third book. Booksellers in America, where The Girl Who Kicked the Hornet's Nest will not be published until May, are importing copies from England and selling them for as much as $45. I finally found a copy at Asia Books for 350 baht (about $10), and since then all the English bookstores have become flooded with copies.
I'd rather not write a proper book review of the trilogy since you can easily find information about the characters and plots online. My purpose here is just to rave about Stieg Larsson's masterpiece and to urge that you read it for yourself. His political perspective, which he incorporates easily into the stories, is another reason I found his writing congenial. And the injustice done to his partner, Eva Gabrielsson, deserves to be publicized.
As I write this blog post, Bangkok is filling with anti-government demonstrators, and many expect the turnout to number in the hundreds of thousands, effectively shutting down the city. The red shirts have been demonized by the government and the press , even though the Prime Minister told everyone not to panic after warning that bombings and sabotage were expected at 30-40 locations are the city. I think the warnings are designed to justify any later oppression, however harsh. Military roadblocks have been set up all over the country to make it difficult for the predominantly rural protesters to reach the main rally on Sunday near the Democracy Monument. The aim of the red shirts is to force a government that was installed by the same elite that staged a coup in 2006 to resign and call for new elections. That objective is not likely, and the prospects of violence are very real. I will be following events closely, although I have promised Nan not to go out on the streets (at least the expectation of trouble has cleared the roads and traffic is almost non-existent today).
Tuesday, March 09, 2010
An Open Letter to the Red Shirts
I support the goal of the United Front for Democracy Against Dictatorship (popularly called red shirts) of "ending the age of the Thai military dictatorship and restoring freedom, democracy and justice to our beautiful nation." To that end, the UDD is mobilizing a major protest demonstration in Bangkok this coming weekend when several hundred thousand supporters are expected to descend on the city from all over the country. They will be met by an unprecedented force of from 50,000 to 100,000 military and police with orders under the draconian Internal Security Act to control them. Another 46,000 "disaster prevention volunteers" are on standby. "Our aim is to topple the government," said UDD leader Jaran Ditsatapichai at a press conference last week, "to force them to make a choice between suppressing us and stepping down." The odds are not good, and the prospects of violence are significant. Although I had been asked by the red shirts to help them communicate with the international community, Nan is very fearful of the consequences of my involvement and I am not a little afraid of trouble in the streets. So, as a guest in Thailand, I must respectfully decline to participate directly and will stand on the sidelines praying the Metta Sutta and hoping for an outcome that might somehow reduce the tensions in this polarized country.
I am not sure what will happen next weekend, but I know that it will not settle the clash of colors in long-running unraveling of Thailand. Only enlightened statesmanship that would encourage the warring parties to discuss their differences and propose a compromise might stop the downhill slide. And there is no sign of that at the moment. So, because of the likelihood of violence on the part of disgruntled parties on either side of the color divide (and most likely by the so-called upholders of public order), I will not be marching with the red shirts this weekend. I'm also not sure that another large demonstration will bring down the government. If it does, it might be at an unacceptable cost. I agree with the opinion of Thongchai and think that patience, jai yen, will better achieve their goals. Time is on the side of the red shirts.Friday, March 05, 2010
Diastematics, Unite!
Is Johnny Depp insulting the gap toothed, or what? The actor, who has a fixation on teeth for his different celluloid personas but no discernible gap (the highly revered distinction diagnosed as diastema), chose to define his character as the Mad Hatter in Tim Burton's new "Alice in Wonderland" with a gap between his front teeth. Does he think this is a sign of madness? According to the authoritative Wikipedia, from once upon a time a gap between the teeth has been associated, particularly in women, with insatiable lust. Geoffrey Chaucer in the 14th century wrote about the lusty "gap-toothed wife of Bath." In Nigeria, diastemata are occasionally regarded as being exceptionally attractive mostly among the western regions, and in France they are called "dents du bonheur" ("lucky teeth"). In northern parts of India people with a gap between the front teeth are thought to be very lucky in life.
I've uncovered another possible reason for Depp's gap. Vanessa Paradis, French actress and singer and the mother of Depp's two children, is a noted gap-toothed celebrity. Perhaps he did it to honor her. There are many famous gap tooths, from David Letterman's and Madonna's to Eddie Murphy's and Elton John's.
Burton's Mad Hatter is a lovable as well as loony character under layers of special effects that give Depp eyes of gold as well as the gap in his teeth. For his characterization of Jack Sparrow in the "Pirates of the Caribbean" franchise, Depp choose a few gold teeth for his mouth, and patterned his mannerisms after the moves of Rolling Stone guitarist Keith Richards. Imitation, as they say, is a sincere form of flattery.
Being diastematic myself (see photo below for a look at my gap), one of my early heroes was Alfred E. Neuman from Mad Magzine (another association with madness since you wouldn't consider Alfie to be lustful). Editor Harvey Kurtzman spotted the image on a postcard pinned to the office bulletin board of another editor who described it as "a face that didn't have a care in the world, except mischief." Neuman appeared in the magazine in the mid-1950's over the phrase, "What, me worry?" Now I can think of him as a Bodhisattva. The original of the gap-tooth face borrowed by Kurtzman for his magazine is lost in the mists of time. I've seen versions from the 1920s and the 1890s.
The most famous gap-toothed face in the 1960s belonged to British comedian Terry-Thomas. With a silly double-barreled stage name, he played a number of over-the-top upper-class cads and bounders. His films included "It's a Mad, Mad, Mad, Mad World" and "Those Magnificent Men in Their Flying Machines" as well as string of British comedies that were never easily understood by Americans. When I was living in London from 1964-66 and working for a TV journal, I was given the assignment to interview him. We had the opportunities to compare gaps and as I recall mine was bigger. Terry-Thomas's dental diastema provided the basis for the naming of a widening of the scapholunate space ("Terry-Thomas sign") in a traumatic wrist injury. Famous gap-toothed women include Lauren Hutton, Cleopatra, Sandra Day O'Connor, not to mention Condoleezza Rice. Director Les Blank made a documentary film about them in the 1980s.
Burton's depiction of Lewis Carroll's fantasy is an overwhelming visual treat and a twisted departure from the standard story. As an older Alice revisiting an earlier dream (nightmare?), Mia Wasikowska has little to do. Fortunately she previously showed her considerable acting skills in the first season of the excellent TV series abut psychotherapy, "In Treatment." Here she's little more than a backdrop for spectacular special effects, chief among them the hydrocephalic forehead of Helena Bonham Carter's Red Queen. She far outshines the good White Queen, her sister, played by the wispy Anne Hathaway who seems as puzzled as Mia about what to do. Roger Ebert in his online review writes that the original books seemed "creepy and rather distasteful" to him as a young reader. "Alice," he concludes "plays better as an adult hallucination, which is how Burton rather brilliantly interprets." Burton's Underland, says Ebert, is a "perturbing place where the inhabitants exist for little apparent reason other than to be peculiar and obnoxious. Do they reproduce? Most species seem to have only one member, as if nature quit while she was ahead." Manohla Dargis in the New York Times calls the film "dark and sometimes grim," and says Burton's Alice is mostly a foil for Depp who "brings his own brand of cinematic crazy to the tea party. With his Kabuki-white face, the character seems to have been calculated to invoke Heath Ledger's Joker." No mention of the gap. Perhaps she didn't mind it.
Nan and I enjoyed the spectacle of Burton's "Alice" at the opening night screening in Bangkok, a full day or more before moviegoers in American and Europe had the chance to see what the fuss was all about. Once again, I found the plastic 3-D glasses clunky and awkward. While an improvement over the old paper ones, I think they darken the film considerably (you only have to remove them to see this). As with "Avatar," after a few minutes you forget that there is anything special with 3-D and enjoy being occasionally startled by a special effect (like when the Red Queen hits a hedgehog into the audience with her flamingo mallet). Maybe it's my aging ears, but I found the dialogue weak and unclear while the rumbles and bangs to accompany the numerous effects were loud and even overpowering. I tried not very successfully to explain to Nan the history of the stories about Wonderland by mathematician and photographer Charles Dodgson (Lewis Carroll was his pen name) which were designed to enchant a prepubescent Alice Liddell (photo here taken in 1858 when she was six). There are no pictures of Dodgson smiling so I cannot tell if he has a gap tooth. Even old Walt Disney apparently found the appeal of the stories puzzling.
Speaking of Roger Ebert, there is a very moving article in Esquire by Chris Jones about his struggle with the throat cancer that took away his voice several years ago. Ebert has been a film critic with the Chicago Sun-Times since 1967 and is best known for the entertaining TV program he co-hosted for 27 years with Gene Siskel in which the two movie fans debated the latest releases, often in friendly disagreement. When Siskel died of cancer in 1999, Ebert was joined by Richard Roeper. But after an operation in 2006 he could no longer speak. He continues to write about film prolifically, however, and several days he ago he appeared on The Oprah Winfrey Show to demonstrate a new computer activated voice that sounds remarkably like his old speaking voice. A company in Scotland input hours of Ebert's voice from his TV program to create a computer-assisted vocal program.
I'm suffering withdrawal following the end of the winter Olympics in Vancouver. Each morning I got up before dawn and turned on the TV to watch coverage on ESPN from Canada. Aside from curling, which reminded me too much of men (and women) staring at goats, I found most of the events, as well as the opening and closing ceremonies, riveting. The high point was the women's figure skating final won by Yu-Na Kim (or is it Kim Yu-Na?), in a breathtakingly beautiful and technically awesome performance on ice. I even found myself rooting for the Koreans, our neighbors to the north now, during the speed skating events. ESPN's coverage was refreshingly free of the jingoistic chauvinism even Americans complained about from NBC. In Asia, since Thailand sent no athletes (where was the Jamaican bobsled team this year?), the competition seemed more about ability that nationality. Sure, America got the most medals but not the most gold (that honor went to Canada followed by Germany). It was interesting to see the different ways that standings were calculated (most gold or most medals) by different sources. The downhill and snowboard competitions were unbelievable. How can anyone do that? It was wonderful to see the snow as I sat here in Bangkok bathed in air conditioned coolness, and by the final ceremonies I felt quite proud that I was half Canadian (mom was born in Winnipeg). Now Nan is lobbying for a trip to Korean during the next winter season. She wants to sample the snow for herself.
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